SPEAKING + PRESS




I enjoy speaking about my creative practice - creating narratives in space, mapping emotional journeys, art in odd places, and what happened behind the scenes. I craft my talks the same way I craft my art pieces - with a narrative arc, unexpected emotions, and a bit of humor. 

I've been a featured speaker and panelist at over two dozen conferences focused on art, design, and technology, in addition to engagements at universities and corporate events. For potential bookings, please reach out at hello [at] aprilsoetarman.com

Select Talks:


  • Speaker, “The End of the Day: Turning a Solo RPG into an IRL Public Art Installation,” Narrascope, Rochester, NY, 2024
  • Speaker, “Imagining Emotional Bureaucracies,” World Experience Organization Summit, NYC, 2024
  • Panelist, “Ten Years of Poetic Computation,” Software for Artists Day #8, New York, 2023
  • Panelist, “Pandemic Lemonade: Quarantine-Friendly Experiences,” Themed Entertainment Association SATE Conference, online, 2021
  • Speaker, This Immersive Globe: The Series, online, 2021
  • Panelist, TWIML Fest, online, 2020, 
  • Speaker, 100s Under 100 at A/D/O, New York, 2019
  • Artist Talk, Living Room Light Exchange, New York, 2019
  • Artist Talk, Stink Labs, New York, 2019
  • Featured Speaker, “Evoking Emotions Through Technology,” Techfest Club & CivicWomen, New York, 2018,
  • Artist Talk, Frank-Ratchye STUDIO for Creative Inquiry, Carnegie Mellon University, 2018
  • Featured Speaker, SF Tech Poetics, 2017
  • Speaker, “Weird Side Projects,” Best of Ignite Seattle, 2017 
  • Speaker, "Weird Side Projects," EYEO Ignite, Minneapolis, 2017
  • Speaker, "Why I Make Weird Side Projects," Seattle Ignite, 2017 
  • Keynote Speaker, “A Working Theory of Delight: Sound, Space, and Emotion in Design," Bend Design Con 2016 
  • Panelist, “Design Thinking for Education,” Google Design for Education 2015 

Previous workshops have included Intro to Sound Design, Developing an Artist Portfolio, Documenting Your Work, Intro to Making Physical Objects

Highlights: 


“Why I Make Weird Side Projects” at Ignite Seattle 2017, also given at EYEO and encored as a Best of Ignite Seattle (5 minutes) 
SF Tech Poetics at Github, San Francisco December 2017 (18 minutes)



Select Press:





Exhibitions/Performances:


  • Porch Scenes from Across the Space-Time Continuum (play reading), Primary Stages/59E59 Theaters, NYC, 2023
  • The End of the Day, CultureHub Re-Fest, NYC & Los Angeles, 2022
  • Cosmic Cherry Arts Festival, NYC, 2022
  • The End of the Day, online, 2020
  • Alter/Altar, Shadow Traffic, NYC, 2019
  • The Department of Emotional Labor, Underland, San Francisco, 2019 (solo)
  • Hello Goodbye Viaduct Arts Festival, Seattle Office of Arts & Culture, Seattle, 2019
  • The Museum of Almost Realities, Boombox, Chicago, 2018 (solo)
  • The Museum of Almost Realities, Seattle Art Museum, Seattle, 2018
  • The Museum of Almost Realities, School for Poetic Computation, NYC, 2017 chimeforest, Seattle Center Sculpture Walk, Seattle, 2017
  • PROTOSTELLAR, Hybrid Space, Seattle, 2017
  • 30+ guerrilla installations in Minneapolis, Berkeley, Seattle, Chicago, NYC, 2015 - Present

Awards and Recognition:


  • IxDA Interaction Awards Finalist, 2021
  • This Immersive Globe/Epic Immersive grant, 2021
  • Awesome Foundation Seattle grant, 2018
  • Kickstarter Projects We Love, 2018
  • Seattle Office of Arts and Culture Public Artist Roster, 2017-20
  • Best of Ignite Seattle, 2017
  • NBBJ Innovation Award, 2016
  • Bakewell Brown Prize for Architectural Drawing, 2012
  • UC Berkeley Musical Theater Prize, Honorable Mention, 2012

Residencies and Programs:


  • Echoes Writers Group at Primary Stages, NYC, 2022-23
  • Epic Immersive Underland Residency, San Francisco, 2019
  • New York Immersive Challenge, 2019
  • School for Poetic Computation, NYC, 2017
  • Seattle Public Arts Bootcamp, 2017
  • Creative Collision, Domaine de Boisbuchet, France, 2016
  • Danish Institute for Study Abroad, Copenhagen, Denmark, 2012